We'll post new information as it becomes available.
Please select your time zone first, upper left corner of the time table, before browse through this page. The time zone selected is used for the Paper/Panel/YRW assignment table as well.
| Time slot codes | 23rd,March | 24th,March | 25th,March | 26th,March | ||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| YRW | Paper | Panel | Paper | Panel | Paper | Panel | ||||||||||||
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LA:
Δ14:00-15:30
Denver: Δ15:00-16:30 Chicago: Δ16:00-17:30 NY: Δ17:00-18:30 UK: Δ21:00-22:30 WestEurope: Δ22:00-23:30 Moscow: 0:00-1:30 HongKong: 5:00-6:30 Japan: 6:00-7:30 Sydney: 7:00-8:30 |
1 | Creative Industries 1 Chair:Michael Rushton | Localism and participation Chair:Jennifer Novak-Leonard | Culture and Nationalism, Identity Chair:Egle Rindzevchiute | Social Inclusion Chair:Rachel Skaggs | Policymaking 1 Chair:Simone Wesner | Craft, Design, Visual Arts Chair:Gonzalo Soltero | |||||||||||
|
LA:
Δ17:00-18:30
Denver: Δ18:00-19:30 Chicago: Δ19:00-20:30 NY: Δ20:00-21:30 UK: 0:00-1:30 WestEurope: 1:00-2:30 Moscow: 3:00-4:30 HongKong: 8:00-9:30 Japan: 9:00-10:30 Sydney: 10:00-11:30 |
2 | Cities 1 Chair:Shintaro Fujii | Heritage & community Chair:Mai Akagi | museum 1 Chair:Mia Nakamura | Participation Chair:Ryu Kojima | Cultural industry / Popular Culture Chair:Yuichiro Nagatsu | inclusion, human rights Chair:Mariko Koizumi | creativity Chair:Yuki Akino | ||||||||||
|
LA:
Δ20:00-21:30
Denver: Δ21:00-23:30 Chicago: Δ22:00-23:30 NY: Δ23:00-0:30 UK: 3:00-4:30 WestEurope: 4:00-6:30 Moscow: 6:00-7:30 HongKong: 11:00-12:30 Japan: 12:00-13:30 Sydney: 13:00-14:30 |
3 | Creative Industry 2 Chair:Hiroko Tsuboi-Friedman | Creative Industry 3 Chair:Kenichi Kawasaki | Creative Industry 4 Chair:Tony Liu | Gender & Memory in Asia Chair:Rene Carraz | Theory of Cultural Policy Chair:Mitsuhiro Yoshimoto | ||||||||||||
|
LA:
Δ23:00-0:30
Denver: 0:00-1:30 Chicago: 1:00-2:30 NY: 2:00-3:30 UK: 6:00-7:30 WestEurope: 7:00-8:30 Moscow: 9:00-10:30 HongKong: 14:00-15:30 Japan: 15:00-16:30 Sydney: 16:00-17:30 |
4 | History, Cultural Relations Chair:Annegret Bergmann | Regions, Cities Chair:Yukiko Nagashima | Funding in European Cultural Policy Chair:Sachiko Kanno | Visual Arts, Identity Chair:Salfitrie Roos Maryunani | Theory Chair:Helen Rusak | ||||||||||||
| LA:
0:30-2:00
Denver: 1:30-3:00 Chicago: 2:30-4:00 NY: 3:30-5:00 UK: 7:30-9:00 WestEurope: 9:30-10:00 Moscow: 10:30-12:00 HongKong: 15:30-17:00 Japan: 16:30-18:00 Sydney: 17:30-19:00 |
LA:
0:30-2:00
Denver: 1:30-3:00 Chicago: 2:30-4:00 NY: 3:30-5:00 UK: 7:30-9:00 WestEurope: 9:30-10:00 Moscow: 10:30-12:00 HongKong: 15:30-17:00 Japan: 16:30-18:00 Sydney: 17:30-19:00 (Re)claiming Identity: Cases of Reviving Traditional Dances in Cambodia, Malaysia and Japan |
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|
LA:
2:00-3:30
Denver: 3:00-4:30 Chicago: 4:00-5:30 NY: 5:00-6:30 UK: 9:00-10:30 WestEurope: 10:00-11:30 Moscow: 12:00-13:30 HongKong: 17:00-18:30 Japan: 18:00-19:30 Sydney: 19:00-20:30 |
5 | LA:1:00-4:15Denver:2:00-5:15Chicago:3:00-6:15NY:4:00-7:15UK:8:00-11:15WestEurope:9:00-12:15Moscow:11:00-14:15HongKong:16:00-19:15Japan:17:00-20:15Sydney:18:00-21:15 Webinar1 |
LA:1:00-4:15Denver:2:00-5:15Chicago:3:00-6:15NY:4:00-7:15UK:8:00-11:15WestEurope:9:00-12:15Moscow:11:00-14:15HongKong:16:00-19:15Japan:17:00-20:15Sydney:18:00-21:15 Webinar2 |
LA:1:00-4:15Denver:2:00-5:15Chicago:3:00-6:15NY:4:00-7:15UK:8:00-11:15WestEurope:9:00-12:15Moscow:11:00-14:15HongKong:16:00-19:15Japan:17:00-20:15Sydney:18:00-21:15 Webinar3 |
LA:1:00-4:15Denver:2:00-5:15Chicago:3:00-6:15NY:4:00-7:15UK:8:00-11:15WestEurope:9:00-12:15Moscow:11:00-14:15HongKong:16:00-19:15Japan:17:00-20:15Sydney:18:00-21:15 Webinar4 |
Film & Music Chair:Aron Weigl | Aging, Audience Chair:Victoria Barker | National Cultural Policy, Cultural Diplomacy Chair:Kiwon Hong | East Europe Chair:Kazuko Goto | Cities Chair:Nissim Otmazgin | ||||||||
| LA:
3:30-5:00
Denver: 4:30-6:00 Chicago: 5:30-7:00 NY: 6:30-8:00 UK: 10:30-12:00 WestEurope: 11:30-13:00 Moscow: 13:30-15:00 HongKong: 18:30-20:00 Japan: 19:30-21:00 Sydney: 20:30-22:00 |
Plenary | Resilience of Culture and Cultural Policy - Community, Art, and Cultural Management in Asia |
Cultural Heritage and International Politics |
Special Panel On-Demand New Businesses from Digital Creativity - Trends from Japan Available anytime after March 26th ANCER Panel 01 LA: 3:30-5:00 Denver: 4:30-6:00 Chicago: 5:30-7:00 NY: 6:30-8:00 UK: 10:30-12:00 WestEurope: 11:30-13:00 Moscow: 13:30-15:00 HongKong: 18:30-20:00 Japan: 19:30-21:00 Sydney: 20:30-22:00 The Power of Networking in a COVID World: Updates from South East Asia |
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|
LA:
5:00-6:30
Denver: 6:00-7:30 Chicago: 7:00-8:30 NY: 8:00-9:30 UK: 12:00-13:30 WestEurope: 13:00-14:30 Moscow: 15:00-16:30 HongKong: 20:00-21:30 Japan: 21:00-22:30 Sydney: 22:00-23:30 |
6 | Music Chair:Steven Hedley | Museum 2 Chair:Sigrid Royseng | Cities 2 Chair:Melissa Nisbett | International Cultural Relations, Resilience (International) Chair:Bjarki Valtysson | Evaluation, Impact Assessment, Digital Chair:Milena Sesic | Market, Fund Chair:Arturo Rodriguez Morato | Heritage Chair:Jenny Johannisson | Cultural Institutions Chair:Jeremy Ahearne | Diversity, Cultural Policy Chair:Hye-Kyung Lee | ||||||||
The site for Interactive Conference Programme with links to Zoom, Remo, Abstracts and Full Papers.
http://conference-apps-online.net/web/iccpr2020/
* Participants Only
We are having a few more plans to make the conference more interesting to explore, not just paper sessions online. More details will become available.
| Panel Session | Surname | First Name | Affiliation | Affiliation 2 | Title |
|---|---|---|---|---|---|
| Crückeberg | Johannes | Institute of Political Science | University of Muenster | Cultural policies in federations: actors negotiating the division of cultural powers | |
| Rius Ulldemolins | Joaquim | University of Valencia | |||
| Paquette | Jonathan | University of Ottawa | |||
| Redaelli | Eleonora | University of Oregon | |||
| Bonet | Lluis | University of Barcelona | |||
| Martín Zamorano | Mariano | University of Barcelona | |||
| Comeau | Gina S. | Laurentian University | |||
| Brook | Orian | University of Edinburgh | Culture is bad for you: Inequality in the cultural and creative industries | ||
| Cronin | Margaret | Queens University Belfast | |||
| Nwonka | Clive | London School of Economics | |||
| Oakley | Kate | University of Glasgow | |||
| Luckman | Susan | University of South Australia | |||
| Brook | Orian | University of Edinburgh | |||
| Taylor | Mark | University of Sheffield | |||
| Tower | Ash | University of South Australia | Craft, Culture and Economy: Resilient Making at the Interface of Cultural Policy and Innovation Systems | ||
| Luckman | Susan | University of South Australia | |||
| Bennett | Julia | Crafts Council UK | |||
| Gu | Monash University | ||||
| Guèvremont | Véronique | Université Laval | The Discoverability of Cultural Contents as a Tool to Enhance Resilience of Cultural Policies in the Digital Environment | ||
| Richer | Iris | Université Laval | |||
| Otasevic | Ivana | Université Laval | |||
| Varin | Clémence | Université Laval & Université de Rennes 1 | |||
| Fujii | Shintaro | Waseda University | Politics of Arts in the Japanese Festival Landscape | ||
| Poulton | Cody | University of Victoria | |||
| Rosner | Krisztina | Meiji University | |||
| Phuc | Hoang Minh | Dong Nai College of Decorative Arts | 7, 30/4 street, Trung Dung ward, BienHoa, DongNai | The policy for Vietnamese Curators | |
| Nakamura | Mia | Kyushu University | Best Next Practice in Arts Evaluation | ||
| Meyrick | Julian | Griffith University | |||
| Blanche | Rachel | Queen Margaret University | |||
| Barnett | Tully | Flinders University | |||
| Hadjiathanasiou | Maria | Horizon 2020 Research Fellow | University of Nicosia | A Century of Cultural Diplomacy, Cultural Policy and International Relations in the Mediterranean: The Cases of Cyprus and Greece (1878-1977) | |
| Ioannou | Margarita | Restart 2016-2020: EXCELLENCE/0918/0190 Postdoctoral Fellow Bank of Cyprus Cultural Foundation | |||
| Gotsi | Katerina | Center for Scientific Dialogue and Research | |||
| Petritsi | Eleni | National Kapodistrian University of Athens (Greece) | |||
| Wesner | Simone | Birkbeck, University of London | Artist’s Policy Narratives | ||
| Shampanova | Elena | Birkbeck, University of London | |||
| Scarsbrook | Sarah | Birkbeck, University of London | |||
| Wright | David | University of Warwick | University of Warwick | How Culture Became Digital. | |
| Gray | Clive | University of Warwick | |||
| Rindzevicuite | Egle | Kingston University | |||
| Cossu | Alberto | University of Leicester | |||
| Bandinelle | Carolina | University of Warwick | |||
| Rindzeviciute | Egle | Kingston University London | Dr | Transforming Cultural Policy in Eastern Europe: The Endless Frontier | |
| Cveticanin | Predrag | Faculty of Arts, University of Nis, Serbia | CULTURAL POLICY IN THE AGE OF GLOBALIZATION, DIGITALIZATION, MASS-MIGRATIONS, AND INCREASING SOCIAL INEQUALITIES: NEW CONCEPTS, NEW APPROACHES, NEW METHODOLOGIES | ||
| Kisic | Visnja | The Center for Empirical Cultural Studies of South-East Europe | |||
| Katz-Gerro | Tally | University of Haifa | |||
| López Sintas | Jordi | Universitat Autònoma de Barcelona | |||
| Petric | Mirko | Institute Ivo Pilar | |||
| durrer | victoria catherine | University College Dublin | Resilience & Resistance: Cultural values and the internationalization of arts and cultural management training and education | ||
| Hernández Acosta | Javier | Universidad del Sagrado Corazón | |||
| Dragićević-Šešić | Milena | University of Arts in Belgrade |
| Paper Session | Surname | First Name | Affiliation | Affiliation 2 | Title |
|---|---|---|---|---|---|
| Abfalter | Dagmar | mdw - University of Music and Performing Arts | Vienna | An independent career in classical music? A comparison of market valuation practices of classical music and higher music education in Vienna and Berlin | |
| Stini | Sandra | mdw | |||
| AKINO | YUKI | Visiting Scholar at Columbia University, USA | Associate Professor at Dokkyo University, Japan | Is it possible to construct a right of public access to an artistic presentation? - How can we spark discussion on the right for visitors and audiences to attend, know, judge, and discuss in a critic-addicted society? - | |
| Ashton | Heidi | Assistant Professor | University of Warwick | Unmasking the Phantom: A comparative analysis of pay and policy in the West End UK and Broadway USA | |
| Barker | Victoria | University of Derby | College of Arts, Humanities and Education | The show must go on: a city-based investigation of enacting and developing cultural strategy. | |
| Jordan | Jennie | Leicester Castle Business School De Montfort University | |||
| Belinskaya | Yulia | Department of Communication | University of Vienna | The many faces of resilience: dynamics of artistic practices and legitimisation in graffiti | |
| Kolokytha | Olga | University of Vienna | |||
| Birnkraut | Gesa | University of applied sciences Osnabrück | Innovation, agile management and cultural policy - interdependencies and learning points | ||
| Borin | Elena | Burgundy School of Business | Transnational cinema as a response to a changing scenario: some insight from the French context | ||
| bouquerel | fanny | professeure associee | Resilience in EU international cultural relations: challenges and pitfalls of the EU cultural action in the Southern Mediterranean area | ||
| Brand | Michèle | University of Hildesheim (Germany) | Department of Cultural Policy | ‘Cultural practices and conflict prevention by the example of the promotion of the cultural sector in the Republic of Mali’ | |
| Carraz | Rene | Department of Global Innovation Studies | Toyo University | What about the Publicscape? A new outlook for creative cities. | |
| CHÁVEZ AGUAYO | Marco Antonio | Universidad de Guadalajara (Mexico) | The Reggaeton of Cultural Policy: It’s Latin America speaking! (and dancing) | ||
| Cho | Euna | Hongik University | Department of Arts and Cultural Management | Creative Aging via Arts Participation: An Action Research | |
| Chang | WoongJo | Hongik University | |||
| CHUNG | Hsiao-Ling | Institute of Creative Industries Design | National Cheng Kung University | From Elasticity to Ecosystem~ The Case of the Cultural Creative Industries Policy Co-creation of the Tainan City | |
| Cuyler | Antonio C | Florida State University (FSU) | Florida State University (FSU) | Victims of Exclusionary Cultural Policies, and Savants of Cultural Production: Exploring the Paradox of African American Cultural Engagement in the U. S. | |
| Fujihara | Tabihito | Kyushu University | The Significance and Value of Loose Participation in Art Festivals as a Volunteer | ||
| Genda | Yuta | The University of Tokyo | An incorporated administrative agency | A Basic Study on the Change of Cultural Concept in Urban Planning -Central Tokyo and Musashino City in Suburbs of Tokyo- | |
| Gierat-Bieroń | Bożena | Jagiellonian University | Effectiveness of the EU-Asia Cultural Relations with the special emphasis on Japan. The socio-cultural cooperation, education, and heritage. | ||
| GOTO | Kazuko | Faculty of Economics, Setsunan University | What will the change of museum definition bring on museums? – a case study of Japan | ||
| Hadley | Steven | National University of Ireland Galway | Are We the Baddies? Audience Development, Culture-as-Vocation and Democratic Cultural Policy | ||
| Heinicke | Julius | University Hildesheim | “Care for the Open” as a strategy of resilience against radicalisation? The role of cultural policy for dealing with cultural diversity | ||
| Horňáková | Lucia | University of Economics in Prague | Acquisition Fund: an unrecognised treasure within the Cultural Policy of the Czech Republic | ||
| HUANG | Yi-wen | Department of Film, Media and Cultural Studies | Birkbeck, University of London | Cultural Governance and Local Politics: a Case Study Analysis of Taiwan’s Capital of Culture, Tainan City | |
| Hylland | Ole Marius | Telemark Research Institute | Digital cultural policy. The story of a slow and reluctant revolution | ||
| Ishimine | Eriko | part-time | Tokyo University of the Arts | Current Situation and Issues of the Education Programs in Music in Japan: Focusing on Developing of Artists and Coordinators in Local Communities | |
| Satou | Yoshiko | Japan Foundation for Regional Art-Activities | |||
| Akagi | Mai | Showa University of Music | |||
| Karvelyte | Kristina | Ming Chuan University | Department of Urban Planning and Disaster Management | Cities as cultural platforms for all? Listening to the voices of emerging artists in Taipei | |
| Kawasaki | Kenichi | JACPR | Contemporary Cultural Policies and Smart Cities: Learning from Global Creative City Singapore | ||
| KAZAMA | Yusuke | the University of Tokyo | Graduate School of Humanities and Sociology | Arts in Japan’s correctional facilities | |
| Kisic | Visnja | TIMS Faculty | EDUCONS University Novi Sad | Resilience versus Interdependence: Towards Ecological Turn in Cultural Policies | |
| Tomka | Goran | EDUCONS University | |||
| Klein | Ricardo | University of Valencia | Local cultural policy matters? Political orientations, cultural management model and results of public cultural action in Barcelona and València | ||
| Rius Ulldemolins | Joaquim | University of Valencia | |||
| Klocke | Vera | University of Hildesheim | Faculty for Theatre, Media and Popular Culture | Looking at the things people look at. Perspectives on the domestication of media in the increasingly fragmented society of Germany. | |
| Koh | Youngaah | Miami University | Miami University | Impact of ethnic community-based cultural activities on acculturation and social cohesion: A case study of a Korean-American community in the Midwest | |
| Koizumi | Mariko | Kyoto Seika University | Governmental Role for the Development of Japanese Animation | ||
| Kolokytha | Olga | Department of Communication | University of Vienna | Resilience to transformation: institutional malfunctions as driving forces behind professional musicians’ migration | |
| Lazzoni | Paolo | HYDEA S.p.A. | Project Manager Culture and Cultural Heritage Dept. | How can we build resilience through heritage? The case of As Samou’ in Palestine | |
| LEE | HONGREAL | URBAN NOSTALGIA: | Center for Urban Space/Memory Studies (independent scholar) | Architecturally-Imagined Cultural Memory Spaces: On the Conservation and/or Demolition of Contested Modern Cultural Heritages in Postcolonial Korea | |
| Lee | Hye-Kyung | King's College London | Cultural Industrial Policy and Venture Capital (VC) in South Korea | ||
| Lee | Jin Woo | Kyung Hee University | Globalised Value of Artworks in the Contemporary Art Market: A Contextual Review of Biennales and Art Fairs | ||
| Lee | Soo Hee | University of Kent | |||
| Leiva | João | Goldsmiths | University of London | Cultural Policies in Brazil | |
| Li | Chuan | Applied Economics Department | University of Valencia | Formulating a bottom-up policy for design-enabled innovation in Europe | |
| Rausell Koster | Pau | Applied Economics Department, University of Valencia | |||
| Lima | Luciana Piazzon Barbosa | Cetic.br | CULTURAL PARTICIPATION ON THE INTERNET: THE BRAZILIAN SCENARIO ACCORDING TO THE ICT HOUSEHOLDS SURVEY | ||
| LIN | YU-PENG | Independent researcher | Neoliberalized cultural policy-making: the case of music-export policy in Taiwan since 2010 | ||
| TSAI | HUI-JU | TAMKANG UNIVERSITY | |||
| Lindqvist | Katja | Dept of Service Management | Lund University | Regional cultural and creative industries policy evolution in Sweden 1999-2019 | |
| Liu | Tony | National Chung Hsing University | Re-examining Cool Japan and Its Implications for Taiwan’s Cultural Policy | ||
| Yeh | Wei-Lih | National Applied Research Laboratories, Ministry of Science and Technology | |||
| Liu | Tony Tai-Ting | National Chung Hsing University | Center for General Education | Beyond Infrastructure and Trade: cultural policy under the BRI and the non-resilient challenge | |
| Ludley | Maike | University of Warwick | How does cultural policy mean? Interpretations of cultural policy and their effects on public cultural policy making. | ||
| Maryunani | Salfitrie Roos | School of Business and Management | Institut Teknologi Bandung | The Making of a Creative City: Bandung and Its Creative Industries Ecosystem | |
| Rustiadi | Sonny | School of Business and Management, Institut Teknologi Bandung | |||
| Raafaldini Mirzanti | Isti | School of Business and Management, Institut Teknologi Bandung | |||
| Nagatsu | Yuichiro | Kyushu University | A Study on the Process of Shaping Inclusive Cultural Policy in Japan ： Case Study of Cultural Policy for Persons with Disabilities | ||
| Nakagawa | Hideyuki | Akita International University | The Evaluation of Preservation Policies in the Historic Districts ― Time Difference with the Building Fixed Effects in Hikone and Nagoya Cities― | ||
| Nakamura | Miho | Associate Professor | Shizuoka University of Art and Culture | Japanese Cultural Policy from the Viewpoint of Law (1945–2020) | |
| Kobayashi | Mari | PhD, Professor, Graduate School of Humanities and Sociology,University of Tokyo | |||
| Ndzuta | Akhona | University of Fort Hare | Mending the Frontlines, Reconfiguring South African Cultural Diplomacy | ||
| Nelson | Robin | University of Ottawa | Museums’ Defined Value in Museum Governance | ||
| Nisbett | Melissa | King's College London | Can Soft Power Be Bought? | ||
| Novak-Leonard | Jennifer | Northwestern University | Is Creativity Artistic? Public Perceptions of Creativity in the United States | ||
| Skaggs | Rachel | The Ohio State University | |||
| Otmazgin | Nissim | The Hebrew University of Jerusalem | The Hebrew University of Jerusalem | From Kishi to Kokusaika: Japan’s Cultural Policy and Cultural Diplomacy in the Early Postwar Period | |
| Peters | Tomas | ICEI - Universidad de Chile | Cultural Policy and cultural consumption in Chile: from the cultural demands in a context of inequality to the challenges of cultural access in a digital era | ||
| Petrová | Pavla | Arts and Theatre Institute | 30 Years of Freedom in the Czech Arts Sector: The Shift of Paradigm in Cultural Policies | ||
| Poprawski | Marcin | AMU Adam Mickiewicz University Poznan | Faculty of Anthropology and Cultural Studies | Festivals’ local ecosystems: cross-sectorial synergies and cities’ cultural policies – stories from Poland. | |
| Purwanti | Nurul Dwi | National Cheng Kung University, Taiwan | Nurturing ‘Creative Governing Ecosystem’: Case Study of Tainan English Friendly City Policy | ||
| Rauth | Charlotte Johanna | University of Hildesheim | Redefinition of cultural diplomacy. The bangaloREsidency-Expanded as an example for a successful implementation | ||
| Renko | Vappu | University of Jyväskylä | Rescaling cultural policies: regional level’s role in Finland and Sweden since 1995 | ||
| Reynolds | Sarah | University of Leeds | Arts Centres: The hopes, the dreams, and the reality | ||
| Røyseng | Sigrid | Professor | Norwegian Academy of Music | The politics of gender in classical ballet | |
| Rusak | Helen | Western Australian Acedemy of Performing Arts | Edith Cowan University | Breaking the Glass Harmonica: Women in Musical Leadership | |
| Sano | Naoya | Ueno Gakuen College of Music | Influence on art festival visitors’ behavior in social media through crossing contexts -A case study on Reborn-Art Festival 2017- | ||
| Sarkar | Anubha | Monash University | ‘Behind the Scenes’ of Mumbai’s Bollywood | ||
| Schramme | Annick | University of Antwerp (Belgium) | Antwerp Management School (Belgium) | cultural governance from a global perspective: a tool or a process? | |
| Scott | Michael William | Flinders University | College of Humanities, Arts and Siocial Science | Theme: Culture and economy Rethinking cultural entrepreneurship: charisma, symbolic labour, and cultural policy | |
| Skaggs | Rachel | The Ohio State University | Department of Arts Administration, Education, and Policy | Copyright Policy & Artists’ Creative Work in the Digital Age | |
| Soltero | Gonzalo | Mexico's National Autonomous University (UNAM) | National School of Higher Studies (Leon) | Art workshops for juveniles in conflict with the law in Mexico | |
| Spence | Kim-Marie | Southampton Solent Univerity | Southampton Solent Univerity | Kingston Creative - a lesson in Global South creative city policy praxis | |
| Suzuki | Nobuharu | Yokohama City University | Study on location trends of creative industries in Yokohama city, Japan | ||
| Ueno | Masaya | Kanagawa University | |||
| Szostek | Michal | Adam Mickiewicz Institute | How do nations communicate through culture? A study of the celebrations of the 100th anniversary of establishing diplomatic relations between Japan and Poland. | ||
| Trojanowska | Barbara | Adam Mickiewicz Institute | |||
| Fornalak | Patryk | Adam Mickiewicz Institute | |||
| Suwiński | Adam | Adam Mickiewicz Institute | |||
| TAKAKU | Aya | Kyushu University | Graduate School of Integrated Sciences for Global Society | The particularity of the first Japanese Museum Collection: Focusing on the evaluation process for collecting excavated “artifacts” from 1874 to 1882 | |
| Tanaka | Atsushi | Independent | The relation between central and local governments in the development of Japanese cultural policy | ||
| TAZAKI | Naomi | Kyoto Women's University | The creation of “collectiveness”: the continuity of French music policy from the Popular Front (1936-38) to the Vichy era (1940-44) | ||
| Terui | Takao | King's College London | Reconceptualising the Roles of the Private Business in Film Policy: The British Film Institute and the film trade in the 1930s | ||
| Tomka | Goran | TIMS Faculty | EDUCONS University | Introducing Contingency to Cultural Policy Studies - Theorising Epistemological Positions and Idealized Norms of Cultural Policy Making and Research | |
| Kisic | Visnja | EDUCONS University | |||
| Tran | Lana | Tokyo University of the Arts | Constructed resilience in Japan’s “art projects”: A case study analysis of Echigo-Tsumari Art Field | ||
| Tsai | Nien-Ju | Taiwan | National Taitung Living Art Center | Network between space and memory: a discuss in the cultural transformation of Hualien Cultural and Creative Industries Park | |
| tsuchiya | masaomi | Josai University | Position of Cultural Property Protection Policy in Cultural Policy; Through the Analysis of Cultural Administration Protection Policy in the 1970s and 1980s in Japan | ||
| Valtysson | Bjarki | University of Copenhagen | Karen Blixens Vej 1 | Museums and digital cultural politics | |
| Watanabe | Asuna | University of Electro-Communications | Current Status and Issues of “Creative Music Making” in Japanese Music Education | ||
| Yamamoto | Kayoko | University of Electro-Communications | |||
| Watanabe | Haruka | Tsuda University | A Theoretical Study on NPM Reform in Japanese Local Cultural Policy | ||
| Weigl | Aron | EDUCULT | Resilience of Cultural Heritage On the Development of a Holistic Impact Assessment Model | ||
| Wesner | Simone | Birkbeck, University of London | Weaving cultural values into policymaking - a hands-on approach! | ||
| Wimmer | Constanze | University of Music and Performing Arts | Cultural and Artistic Citizenship as a challenge for the sector of Classical Music and the Training of Musicians | ||
| Yeh | Shang-Ching | Tainan National University of the Arts | Exploring object donors’ motivation of the museum | ||
| Huang | Peng-Wei | Tainan National University of the Arts | |||
| Chen | Shu-Ching | National Science and Technology Museum | |||
| Huang | Jun-Fu | National Science and Technology Museum | |||
| YEH | WEILIH | Social Engagement Center | National Sun Yat-sen University | Policy, Identity, and Market: A Study of China’s Oil Painting Market | |
| Yeung | Tin Shui | Tokyo University of the Arts | Hong Kong “Lennon Walls”: Collective identity construction through monumentality and its implication to cultural policy | ||
| LEE | HOI YIN LEE | Chinese University of Hong Kong | |||
| Yoon | Jeongsil | Dongduk Women's University | The Cultural Policies for Contemporary Art in Singapore in the Era of Creative Economy | ||
| Yu | Youyou | New York University | The Influence of the Chinese Government’s Cultural Policies on the Arts Market | ||
| Zamorano | Mariano Martín | CECUPS, University of Barcelona | Cultural policies and the commons in Madrid and Barcelona during the “governments of change” (2015-2019): Towards a post creative city? | ||
| Zhang | Marco zexun | University College Dublin | The Reshaping of Hong Kong Culture after 1997: Constructing the West Kowloon Cultural District |
| Session | Surname | First Name | Affiliation | Affiliation 2 | Title |
|---|---|---|---|---|---|
| Debattista | Adrian | Queen Margaret University, Edinburgh | The Independent Music Scene in Malta: Interpreted Realities and Policy Imaginaries | ||
| Donouvossi | Espera | University of Cape Coast | Towards coherent cultural policies in Benin through Participative and Stakeholder-Based Policy Design | ||
| El kahla | Iyadh | PhD candidate in cultural policy | University of Hildesheim | Post-revolution Tunisia music culture policy: The told/untold? | |
| Hansar | Maria | Estonian Academy of Arts | Remediating the Authentic in the Digital Era. | ||
| HUANG | HSIN YI | National Taiwan University of Arts | Graduate School of Art Management & Culture Policy | Autonomy and Publicity of the Cultural Intermediaries - Case Study of National Performing Art Center’s Corporate Exclusive Performance | |
| Larkham | Bree | Griffith University | School of Humanities, Languages and Social Sciences | The legacy of cultural policy-making in Australia and what it means for the connection between citizens and their heritage | |
| Lee | Eunsu | HONGIK UNIVERSITY | PH.D | Cultural democracy: Keeping culture accessible with low admission prices | |
| Lee | Kah Hui | Cultural Resources Studies, University of Tokyo | The Study of Shopping Streets as Urban Cultural Heritage | ||
| LI | Yi-Sheng | National Taiwan University of Arts | Graduate School of Arts Management and Cultural Policy | The International Cultural Strategies of the Cultural Intermediary Organizations in Taiwan | |
| Lv | Mingzhu | Shanghai Jiaotong University | Policy Orientation and Policy Response: Contextual Bias of China's Video Game Policy | ||
| Mihalik | Susan | University College Dublin | University College Dublin | The politics of cultural equity in Austin Texas: a critical history | |
| Nakamura | Mai | Ochanomizu University | Effect of Corporate Practice upon the Reginal Culture: With a Focus on the Corporate Groups Participating in the Awa Dance as Practitioners of the Reginal Culture | ||
| Ogane | Aki | The University of Tokyo | Private Donation for Non-profit Orchestras and Performing Arts Organizations in Japan: How should it be programmed and operated? | ||
| PARK | JIHYE | HONGIK UNIVERSITY | Department of Arts and Cultural Management | How Artists Enter the Institutionalized Art World in South Korea | |
| Puromies | Maija Helena | Doctoral Student | University of Eastern Finland | Social music education method: El Sistema, internationally - history, philosophy, impacts. Preliminary results of Systematic Literature Review. | |
| Ranczakowska | Anna Maria | Estonian Academy of Music and Theatre | Gender paradox in the arts sector. Formal and informal learning experiences enhancing entrepreneurial and leadership mindset of non-male artistic leaders. | ||
| Reyna | Fabiola | Universitat de Barcelona | Gender gaps in public funding of Peruvian cinema | ||
| Shan | Jiang | Shanghai Jiaotong University | School of media and communication | Research on Content Platform Governance from the Perspective of Corporate Social Responsibility | |
| Li | Kanghua | Shanghai Jiao Tong University | |||
| Shrestha | Jhank | Nepal | Nepal | Governance of Cultural Diversity: A case study of the Guthi System | |
| Takada | Rena | University of Tokyo | Kawaii odorlessness in government exported content | ||
| Xiang | Li | Shanghai JiaoTong University | School of media and communication | The change of traditional cultural brand personality and the trend of cultural policy in the digital age—— A Palace Museum based analysis | |
| Yasuda | Chinatsu | European Union Studies Association JP | Cultural policy of the EU in the age of challenge | ||
| Yeh | Yih Hsiu | National Taiwan University of Arts | Master Degree Student of Graduate School of Arts Management and Cultural Policy | When companies engage in cultural activities as corporate social responsibility, how to evaluate their social impact by SROI method? | |
| yeunju | wang | hongik university | department of culture and arts management ph.. program | Creative Placemaking for Cultural City: Based on Social Participation Public Art |